47 cover stories in our archive
Behind the Covers' archive includes 47 album covers documented under the "controversial" design theme, spanning the 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, 2010s, 2020s. These covers sit within the pop, alternative, indie, hip-hop, r&b, funk, jazz, electronic, rock, punk, metal, experimental, country, blues tradition and feature work by Lady Gaga, Wet Leg, Playboi Carti, Tate McRae and others. Each entry below includes the cover artwork, the designers and photographers behind it, and a short story about the visual choices that defined the release.
Frank Lebon created an edgy portrait for Lady Gaga's seventh studio album, featuring her face distorted behind shattered glass in stark black and white. The cover reflects the album's dark gothic aesthetic and chaotic genre-blending approach.
Wet Leg's Rhian Teasdale crouches on a beige carpet with sharpened talons and a digitally warped grin, while Hester Chambers turns away to kiss herself. A weekend experiment out of London became one of 2025's most unsettling album covers, and a Grammy nominee.
Playboi Carti's third studio album features bold typography-forward cover art that abandons traditional photography for pure textual impact, continuing his minimalist visual evolution.
The artwork for McRae's chart-topping album was photographed in October 2025 with creative directors Ludovic de Saint Sernin and Ignacio Muñoz. Three days after release, McRae controversially swapped the original back-facing cover for a simpler front-facing version, later returning to the original design.
SZA transforms into a shimmering insect creature for this deluxe reissue cover, shot by Cassidy Meyers. The bug persona originated from her Hot Ones appearance where she quipped about being 'tired of not being a bug.'
Carpenter's sixth studio album cover sparked controversy for its resemblance to a 2015 French magazine photo featuring model Tiffany Collier photographed by Bruno Juminer.
Lil Nas X floats nude in this heavenly digital dreamscape shot by Charlotte Rutherford and designed by Pilar Zeta. The psychedelic cover transforms John Stephens' Genesis II artwork into a queer-coded Garden of Eden, sparking the rapper's bold artistic transformation and becoming one of 2021's most talked-about album covers.
Janelle Monáe stares out from behind a veil of jewels, her face split between fevered red and cool blue, haloed by a burning sun. The 2018 cover for Dirty Computer caused an online explosion the moment it dropped. Here's why it stops you.
A striking black-and-white portrait shows Swift with newspaper-style text covering half her face, embodying her transformation from country sweetheart to defiant pop star after public controversies.
A black-and-white house party erupts on the White House lawn, dollar bills fanned in fists, a baby cradled in the crowd, and a dead judge sprawled at everyone's feet. Kendrick Lamar's 2015 photograph turned the seat of American power into a stage for the kids he grew up with in Compton.
Kanye West sold one of 2013's most talked-about albums in a clear plastic case with a single piece of red tape slapped on it. There was no cover, on purpose. One collaborator called it an 'open casket' for the dying CD. Behind that emptiness sat a discarded George Condo painting, a scrapped title, and a charge of theft.
Death Grips' breakthrough album features a stark black-and-white image, creating one of the most controversial and confrontational cover images in hip-hop history.
Lady Gaga's polarizing motorcycle-fusion cover sparked immediate controversy with fans calling it a "cheap Photoshop job." Shot by Nick Knight with the Haus of Gaga team, the image merged Gaga's head and arms with a custom motorcycle called "Predator."
A blazing red square hides a secret behind a wall of pixels: George Condo's phoenix painting, deliberately built by Kanye West to get banned. The story of how a nude monster with a polka-dot tail and no arms sparked a retail war and a Nirvana comparison.
Artist Divya Srinivasan created the intricate illustrated cover depicting Illinois themes including Lincoln, Al Capone, the Sears Tower, and originally Superman—until copyright concerns led to multiple versions with balloons and eventually an empty sky.
The photograph hiding behind Jay-Z's iconic Black Album cover was actually taken two years earlier for The Blueprint, showing the rapper in a New York Jets jersey before being heavily edited into the ghostly, fading-to-black image that became one of hip-hop's most recognizable covers.
Sam Jones shot hundreds of photos of Chicago before Lawrence Azerrad found the perfect Marina City image. Azerrad removed neighboring buildings to focus on the twin towers, creating an iconic cover that fans now call the Wilco Towers.
Revolutionary spray-painted graffiti silhouette by LA street artist Joey Krebs creates one of rap-metal's most iconic covers. The raised-fist figure embodies Rage's political defiance through raw urban art.
A provocative fisheye-lens photograph taken spontaneously at a Seattle condo during the album's recording sessions. The image of Lisa Hughes in a jacuzzi became one of the most iconic alternative metal covers of the 1990s.
The Prodigy's breakthrough album cover featured a controversial crab design that record stores initially refused to stock. Designer Alex Jenkins created the unsettling crustacean imagery that perfectly matched the band's aggressive electronic sound.
East Bay artist Richie Bucher created this chaos-filled cartoon depicting dogs and monkeys flinging excrement from Berkeley rooftops, working only from the album title and his childhood associations with the word 'dookie.'
A man in a woman's sequinned thrift-store jacket, eyes closed, lost in music he was listening to as the shutter clicked. Columbia's bosses hated it, thinking he looked like a lounge singer. Jeff Buckley overruled them all.
A bare-skinned baby with a towering afro sits alone on white, and for 17 years nobody knew who he was. The mystery child on The Notorious B.I.G.'s 1994 debut was paid $150 for a two-hour shoot — and his face became one of hip-hop's most argued-over images.
A cartoon dog dives headfirst into a doghouse marked BEWARE OF DOGG, drawn by Snoop's own cousin fresh out of jail. The image was so brazen that Congress hauled it into a hearing as evidence, and the album only sold harder for it.
Nirvana's final studio album features anatomical collages by artist Robert Fisher that Walmart and Kmart refused to stock, forcing the band to create sanitized alternate covers for major retailers while the original became a statement of artistic integrity.
Sixteen photographs in a 4×4 grid, no single hero image. U2 buried their solemn black-and-white past under painted Trabants, carnival masks, a blue cow, and a nude bassist. Here is how Berlin, Tenerife, and Morocco scattered the band across a grid built to feel like flux.
Dutch tattoo artist Henk Schiffmacher designed the tribal artwork while filmmaker Gus Van Sant shot the band portraits for this iconic alternative rock cover. The stylized tongues reaching toward a single rose merged body art culture with grunge aesthetics.
A four-month-old baby swims naked toward a dollar bill on a fishhook — and decades later that baby would sue the band. The story behind Nirvana's 1991 cover runs from a TV program on water births to a censorship fight Kurt Cobain won with a single outrageous sentence.
A topless flamenco dancer stands against a peeling wall hung with a crucifix and a torn poster for a Spanish film—an image born in a 'topless Spanish bar' and 'loaded with Catholicism.' This is the cover that helped launch a band, fed Kurt Cobain's blueprint for Nevermind, and now sits in the V&A.
The demonic skull adorning Danzig's debut was drawn by Glenn Danzig himself, but lifted from Marvel comic artist Michael Golden's cover for Crystar #8. The minimalist white skull on black background became one of metal's most iconic covers without any text or band identification.
Rick Rubin phoned a political illustrator who was drawing for the Village Voice and asked him to imagine hell. What Larry Carroll delivered was a three-foot canvas of goat-headed rulers and dangling bodies that Kerry King once dismissed as the work of a 'warped demented freak' before admitting it redefined metal.
The young Marine staring past you never agreed to become the face of a vegetarian anthem. His helmet once read 'Make War Not Love.' Morrissey changed two words, cloned him fourfold like a Warhol print, and turned a Vietnam still into the Smiths' only UK number one.
A stark black pentagram on matte cover sparked Christian outrage and landed Motley Crue on ABC News. Photographer Barry Levine conceived the controversial design that defined 1980s metal rebellion.
Ozzy's solo debut cover features the Prince of Darkness clutching crosses in a dramatic studio portrait that launched his post-Sabbath reinvention. Shot by Fin Costello at Metropolitan Wharf in London's Wapping district, the theatrical imagery perfectly captured the album's dark comic book aesthetic.
Two businessmen shake hands on a sun-baked studio backlot — and one of them is on fire. Pink Floyd asked Storm Thorgerson how to picture people who hide their true feelings, and he answered: 'Set a man on fire.' A real stuntman, fifteen takes, and a singed moustache later, here's the result.
David Bowie posed as a half-man, half-dog for a 1974 painting so explicit that RCA airbrushed out the creature's genitals. The few uncensored copies that slipped into shops became some of the priciest records ever traded. The twist? The Belgian artist who painted it says Bowie tricked him into the job.
A grey concrete slab juts out of a coal slag heap, and four young men stand around it like primates confronting a mystery. The truth behind that pillar involves Stanley Kubrick, empty film canisters, and the fact that only one member of The Who could actually pee.
Keith Macmillan's War Pigs concept became iconic mismatch when label changed album title to Paranoid last-minute. Roger Brown posed as the fluorescent warrior in Black Park for heavy metal's most confusing cover.
George Hardie transformed Sam Shere's iconic 1937 Hindenburg disaster photograph into a haunting stipple illustration using a technical pen, creating one of rock's most powerful visual statements for just £60.
In 1968 John Lennon set up a time-delay camera in a Marylebone flat and photographed himself and Yoko Ono fully nude for an album cover. EMI refused to touch it, 30,000 copies were seized as pornography, and the record had to be hidden inside a brown paper bag. This is what buyers were finally allowed to see.
The stark close-up of Cash's intense gaze captured the raw authenticity of his legendary prison performance. Jim Marshall was the only official photographer present at the historic January 13, 1968 concert.
The Rolling Stones' return to their blues roots sparked a six-month delay when both UK and US record labels rejected Barry Feinstein's original toilet cover art, forcing a controversial compromise.
In 1968 Frank Zappa set out to make a photographic negative of Sgt. Pepper: thunderstorm instead of blue sky, dresses instead of uniforms, rotting vegetables instead of flowers. Then the Beatles' label got nervous, the packaging got flipped inside-out, and Jimi Hendrix showed up in person. Behind the lurid crowd lies a lawsuit-shadowed act of sabotage aimed straight at the summer of love.
Jimi Hendrix's double album sparked international controversy with its provocative cover featuring 19 nude women photographed by David Montgomery. The image was so scandalous that many countries banned it, forcing alternative covers to be created for different markets.
A London store's mass-produced Hindu devotional poster became the frame for a rock band: Jimi Hendrix and his bandmates painted as arms of the god Vishnu, glowing in pink, orange and turquoise. Hendrix hated it. Decades later, a nation's censors seized copies. Here is the strange life of a cover its own star disowned.
A single yellow banana on white, with an instruction to peel it. Andy Warhol's design for The Velvet Underground's 1967 debut sold poorly, sparked lawsuits decades later, and was once called the best album cover ever made.
One of the most infamous album covers ever created, featuring a 12-foot plywood Satan cutout designed by Ira Louvin and burning kerosene-soaked tires in a rock quarry. The brothers nearly got burned during the photo shoot when kerosene-soaked rocks exploded.