
Ready to Die
The Notorious B.I.G. · 1994
A simple photograph of an infant against a white background creates extraordinary tension with the album's title — the child represents the starting point of a harrowing autobiographical narrative tracking life from birth through street violence and depression.
The cover features a photograph of an infant — a dark-skinned Black baby with a small afro, sitting against a clean white background. The baby (not Biggie himself, despite common assumption) looks directly at the camera with wide, innocent eyes. The simplicity of the image — a baby, a white background, nothing else — belies its conceptual weight.
The juxtaposition of childhood innocence with the album's title and content creates an extraordinary tension. Ready to Die is a harrowing autobiographical narrative that tracks a young Black man's life from birth through childhood poverty, drug dealing, street violence, depression, and suicidal ideation. The album begins with audio of a baby being born and ends with the sound of a gunshot. The baby on the cover represents the starting point of this trajectory — a child who doesn't yet know what awaits him.
Sean "Puffy" Combs, who produced much of the album and managed Biggie's career through Bad Boy Records, was instrumental in the album's visual presentation. The clean, commercial aesthetic of the cover — bright, accessible, almost playful — was deliberately at odds with the dark content inside. This contrast was part of Bad Boy's strategy: making hardcore street rap palatable to mainstream audiences through polished production and accessible presentation.
The Notorious B.I.G. (Christopher Wallace) was 21 years old when the album was released. He grew up in Bedford-Stuyvesant, Brooklyn, was raised by a single mother from Jamaica, and had been deeply involved in the crack trade before pursuing music. The album's lyrics drew directly from these experiences with a literary skill and narrative precision that stunned both fans and critics.
Biggie was murdered on March 9, 1997, in a drive-by shooting in Los Angeles, at the age of 24. His death — along with the earlier murder of Tupac Shakur in September 1996 — marked the darkest chapter in hip-hop history and transformed Ready to Die from a debut album into a posthumous document. The cover's image of a baby — full of potential, innocent of what's to come — became almost unbearably poignant.
Ready to Die is consistently ranked among the greatest hip-hop albums ever made. The baby image has become one of hip-hop's most recognizable visual symbols, appearing on tribute art, murals, and merchandise. The cover's combination of innocence and darkness influenced countless subsequent hip-hop releases that used childhood imagery to comment on the trajectory of Black lives in America.