Behind the Covers

The Smiths

4 album covers in our archive

The Smiths is featured in Behind the Covers' archive with 4 album covers from the 1980s. Released across Rough Trade Records, Sire Records and Rough Trade labels, the artwork sits in the alternative, indie, rock tradition. Each cover is documented in our archive with design notes covering black and white, film still, portrait, romantic, melancholic, vintage. Below you'll find the full story behind each The Smiths cover — designers, photographers, label history, and the visual choices that defined the release.

Hatful of Hollow by The Smiths — album cover art

Hatful of Hollow (1984)

Morrissey's obsession with 1960s French New Wave cinema birthed one of indie rock's most mysterious covers. The frontman personally selected this enigmatic still from Jean Cocteau's 1946 film Beauty and the Beast, featuring actor Jean Marais in romantic profile.

Label
Rough Trade Records
Designer
Morrissey
Genre
Alternative, Indie, Rock
Decade
1980s
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Louder Than Bombs by The Smiths — album cover art

Louder Than Bombs (1987)

Morrissey hand-picked a haunting 1960s photograph of actor Shelagh Delaney for this compilation cover, continuing his obsession with forgotten British cultural figures. The stark black and white portrait became one of The Smiths' most enigmatic sleeves.

Label
Sire Records
Designer
Morrissey
Photographer
Uncredited
Genre
Alternative, Indie
Decade
1980s
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The Queen Is Dead by The Smiths — album cover art

The Queen Is Dead (1986)

Morrissey selected a still from the 1964 French film L'Insoumis showing Alain Delon — placing a symbol of Continental glamour on an album attacking the British monarchy was characteristically provocative, a snub to Thatcher-era British institutions.

Label
Rough Trade
Designer
Morrissey
Genre
Rock, Alternative, Indie
Decade
1980s
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