Behind the Covers

white-space

4 cover stories in our archive

Behind the Covers' archive includes 4 album covers documented under the "white space" design theme, spanning the 1980s, 1990s, 2000s. These covers sit within the indie, alternative, electronic, rock, pop tradition and feature work by Death Cab for Cutie, New Order, Peter Gabriel, Aphex Twin. Each entry below includes the cover artwork, the designers and photographers behind it, and a short story about the visual choices that defined the release.

Transatlanticism by Death Cab for Cutie — album cover art

Transatlanticism by Death Cab for Cutie (2003)

The stark white cover of Death Cab for Cutie's breakthrough album features only minimalist typography, rejecting the era's typical indie rock aesthetic. This bold simplicity perfectly captured the album's themes of distance and isolation.

Label
Barsuk Records
Genre
Indie, Alternative
Decade
2000s
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Technique by New Order — album cover art

Technique by New Order (1989)

Peter Saville's cover for New Order's Technique features a single lemon against stark white space, created using revolutionary computer imaging technology. The deceptively simple fruit became one of the most minimalist and mysterious album covers of the late 1980s.

Label
Factory Records
Designer
Peter Saville
Genre
Electronic, Alternative
Decade
1980s
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So by Peter Gabriel — album cover art

So by Peter Gabriel (1986)

Peter Saville stripped away all imagery for Gabriel's most commercial album, creating a cover so minimal it consists only of typography on white space. The radical simplicity marked a complete departure from Gabriel's surreal previous covers.

Label
Geffen Records
Designer
Peter Saville
Photographer
Trevor Key
Genre
Rock, Pop
Decade
1980s
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Selected Ambient Works 85-92 by Aphex Twin — album cover art

Selected Ambient Works 85-92 by Aphex Twin (1992)

The debut album that launched ambient techno featured one of electronic music's most minimalist covers—just the Aphex Twin logo floating in stark white space. This radical simplicity perfectly matched Richard D. James's anonymous, mysterious persona and became a template for countless electronic releases.

Label
R&S Records
Genre
Electronic
Decade
1990s
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