“digital-art”

4 cover stories in our archive

Behind the Covers' archive includes 4 album covers documented under the "digital art" design theme, spanning the 1980s, 1990s, 2010s. These covers sit within the r&b, electronic, alternative, rock tradition and feature work by FKA twigs, The Dismemberment Plan, The Prodigy, New Order. Each entry below includes the cover artwork, the designers and photographers behind it, and a short story about the visual choices that defined the release.

LP1 by FKA twigs — album cover art

LP1 by FKA twigs (2014)

Jesse Kanda created LP1's uncanny portrait from photographs of FKA twigs, sculpting and altering her head in 3D, changing texture and lighting, and then painting over the image. Release credits name FKA twigs and Phil Lee for design and Kanda for photography.

Label
Young Turks
Designer
FKA twigs and Phil Lee
Photographer
Jesse Kanda
Genre
R&B, Electronic, Alternative
Decade
2010s
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Emergency & I by The Dismemberment Plan — album cover art

Emergency & I by The Dismemberment Plan (1999)

Travis Morrison made the strange digital cover of Emergency & I himself, pushing the pixels at a time when some people around the band thought the result looked terrible. Its warped cartoon world was consciously influenced by Fantastic Planet, using surreal imagery to express the anxiety and alienation running through the album.

Label
DeSoto Records
Designer
Travis Morrison
Genre
Rock, Alternative
Decade
1990s
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The Fat of the Land by The Prodigy — album cover art

The Fat of the Land by The Prodigy (1997)

Alex Jenkins turned a sourced dancing-crab photograph into The Prodigy's confrontational 1997 sleeve after Liam Howlett rejected a photographed doner-kebab concept at the last minute. Jenkins enlarged the raised claw until the tiny beach animal looked like it was giving the world a rude gesture.

Label
XL Recordings
Designer
Alex Jenkins
Photographer
Konrad Wothe
Genre
Electronic
Decade
1990s
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Technique by New Order — album cover art

Technique by New Order (1989)

New Order's Technique cover centers on a brightly colored cherub garden ornament that Peter Saville spotted while browsing antique shops on London's Pimlico Road. Saville rented the statue for the shoot, turning an antique object into a vivid, deliberately excessive image for the band's 1989 album.

Label
Factory Records
Designer
Peter Saville
Genre
Electronic, Alternative
Decade
1980s
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