afrofuturism

3 cover stories in our archive

Behind the Covers' archive includes 3 album covers documented under the "afrofuturism" design theme, spanning the 1970s, 1990s, 2010s. These covers sit within the r&b, soul, pop, hip-hop, funk, jazz tradition and feature work by Janelle Monáe, OutKast, Miles Davis. Each entry below includes the cover artwork, the designers and photographers behind it, and a short story about the visual choices that defined the release.

The ArchAndroid by Janelle Monáe — album cover art

The ArchAndroid by Janelle Monáe (2010)

The ArchAndroid turns Janelle Monáe into the futuristic messiah at the center of her Metropolis saga. Chad Weatherford and Chuck Lightning art-directed the world around Andrew Zaeh's portrait, while Weatherford designed the crown-and-armor look that makes Monáe appear part woman, part machine and part city.

Label
Wondaland Arts Society / Bad Boy Records
Designer
Chad Weatherford, Chuck Lightning
Photographer
Andrew Zaeh
Genre
R&B, Soul, Pop
Decade
2010s
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Aquemini by OutKast — album cover art

Aquemini by OutKast (1998)

A phone call relayed André 3000's request to a Columbus painter, who got two or three days to turn OutKast's music into a 1970s funk fantasy. The result, with its hovering mothership and gold Egyptian medallion, reached millions and became one of the most celebrated Black album covers in hip hop.

Label
LaFace Records
Genre
Hip-Hop, Funk
Decade
1990s
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Bitches Brew by Miles Davis — album cover art

Bitches Brew by Miles Davis (1970)

Mati Klarwein's Afro-psychedelic painting depicts two Black faces in profile surrounded by swirling organic forms — flowers, waves, fire, and cosmic phenomena — a visual match for the album that essentially invented jazz fusion.

Label
Columbia
Genre
Jazz
Decade
1970s
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