Kraftwerk Album Covers

3 album covers in our archive

Kraftwerk is featured in Behind the Covers' archive with 3 album covers from the 1970s. Released across Kling Klang / Capitol Records, Kling Klang and Philips labels, the artwork sits in the electronic tradition. Together, these covers trace how Kraftwerk's visual identity changed across the archive, with each entry following the people, artwork, photography, and design decisions behind the sleeve. Below you'll find the full story behind each Kraftwerk cover — designers, photographers, label history, and the visual choices that defined the release.

Cover evolution

Kraftwerk · 19741978

  1. 1974
    Autobahn by Kraftwerk — 1974
    Autobahn
  2. 1977
    Trans-Europe Express by Kraftwerk — 1977
    Trans-Europe Express
  3. 1978
    The Man-Machine by Kraftwerk — 1978
    The Man-Machine
The Man-Machine by Kraftwerk — album cover art

The Man-Machine (1978)

Kraftwerk turned themselves into a graphic system on The Man-Machine: four musicians in matching red shirts and black ties, arranged with the hard geometry of modernist propaganda. Karl Klefisch shaped the sleeve and Günther Fröhling supplied the photography, creating one of the clearest visual statements of Kraftwerk's human-versus-machine identity.

Label
Kling Klang / Capitol Records
Designer
Karl Klefisch
Photographer
Günther Fröhling
Genre
Electronic
Decade
1970s
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Trans-Europe Express by Kraftwerk — album cover art

Trans-Europe Express (1977)

Kraftwerk turned a railway emblem into a swooping white bird against pure black, the TEE roundel resting where a heart might be. Behind the calm logo lies a scrapped mirror concept, two cities' worth of mannequin portraits, and a title track that would later power 'Planet Rock.'

Label
Kling Klang
Designer
Emil Schult
Photographer
Maurice Seymour
Genre
Electronic
Decade
1970s
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Autobahn by Kraftwerk — album cover art

Autobahn (1974)

Emil Schult painted Kraftwerk's original German Autobahn sleeve as a stylized motorway journey: two cars, a rolling landscape and the band glimpsed in a rear-view mirror. Other markets soon gave the same album a very different blue-and-white motorway-sign cover.

Label
Philips
Designer
Emil Schult
Genre
Electronic
Decade
1970s
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