
Sgt. Pepper's Lonely Hearts Club Band
The Beatles · 1967
- Designer
- Peter Blake & Jann Haworth
- Photographer
- Michael Cooper
- Label
- Parlophone / Capitol
- Decade
- 1960s
The concept was born from Paul McCartney's idea that the Beatles would become an entirely fictional band. The cover depicts the band in colorful satin military uniforms standing in front of a crowd of life-size cardboard cutouts of famous figures.
The concept was born from Paul McCartney's idea that the Beatles would "become" an entirely fictional band — Sgt. Pepper's Lonely Hearts Club Band — and perform as alter egos. The cover depicts the band in colorful satin military uniforms standing in front of a crowd of life-size cardboard cutouts of famous and influential people. The 70+ figures include Edgar Allan Poe, Marlene Dietrich, Karl Marx, Marilyn Monroe, Oscar Wilde, Aleister Crowley, Bob Dylan, and many others. Each Beatle submitted a wish list of people they wanted included.
Several figures were removed to avoid controversy. John Lennon originally requested Hitler and Jesus; both were vetoed. Gandhi was included in an early mock-up but removed at EMI's request, reportedly to avoid offending Indian record buyers. Wax figures of the "younger" Beatles from Madame Tussauds were placed looking down at a floral arrangement that spelled "Beatles" — as if attending the funeral of the band's earlier identity.
Pop artist Peter Blake and his wife Jann Haworth constructed the elaborate set, which was physically built in a studio rather than composited. The shoot cost approximately £2,868 — an astronomical sum for album art in 1967 (roughly £60,000 in today's money). Michael Cooper photographed the final tableau.
The back cover was equally groundbreaking — it was one of the first major albums to print the full lyrics on the packaging, which the label initially resisted. The gatefold interior featured a photo of the band in their uniforms with various included extras: a cardboard cutout sheet of a mustache, sergeant's stripes, badges, and a stand-up figure of the band.
The cover won the Grammy Award for Best Album Cover and has been endlessly parodied. It essentially invented the concept of the album cover as a major artistic statement, raising expectations for what packaging could be. Rolling Stone, Time, and virtually every music publication have ranked it as the greatest album cover of all time.